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Reviews and Recommendations!
Here are just a few of the many wonderful experiences people
have had with The Nicolo Whimsey Show!
The Washington Post- Thursday February 26,
1987- Style and Arts B7
In
a Juggler Vein
By Pamela Sommers
Special to The Washington Post
On Nick Newlin's first day as a Harvard freshman,
he found his true calling. "I came into my dorm room, and
one of my roommates was juggling, doing a few three-ball routines,"
explains Newlin, a k a Nicolo the Gypsy Juggler. "I had
never seen juggling up close before, and was really floored by
it. It excited me incredibly right off the bat. So I started
practicing."
Though enrolled as a psychology major, Newlin
spent the next two years perfecting his new-found craft and playing
electric piano in a rock band. Then he made his first significant
career move. "I had a vision in my mind that I could make
a living as a street performer in Paris," says Newlin.
So he took a year off, found a nice little
apartment near the Centre Pompidou--a prime location for outdoor
entertainers using that museum's huge courtyard as their stage--and
began his self-styled internship.
"I wrote a poem in French about rabbits
and hunters and had the -juggling balls go along with the story,
so that as I increased the number of balls, the rabbits were
multiplying. I also juggled burning torches that I carved out
of broom handles ..-. I was miserable at first, .but I watched
the other performers, and learned how to gather a crowd ·
and get people to pay afterward."
For a time, Newlin teamed up with a French
entertainer, and then rounded out his year abroad with a - working
tour of southern Europe. On his return to the States, he plied
his trade on the streets of Boston, San Francisco, Key West,
Fla., and other venues, taught juggling and, in 1982, even managed
to complete his undergraduate degree.
It was during that period that Newlin become
aware of and eventually associated with the New Vaudevillians,
a young crop of clowns, magicians and stunt people--among them
the Flying Karamazov Brothers, Avner the Eccentric, Bill Irwin,
Penn and Teller, and :the members of the Chesapeake Vaudeville
Revue--intent on both celebrating and reenergizing a classic
theatrical form. The latter group, a loosely organized ensemble
of artists founded by New York tap dancer "Toes" Tiranoff,
provided Newlin with a particularly congenial forum for his act.
"We all met in Baltimore, while performing
side by side at Lexington Market as part of this 'sprucing up
the atmosphere' job. Toes originated the group and the name,
and different performers have come and gone." (The current
roster includes Tiranoff; 7l-year-old hoofer Lewis (The Hawk)
Hawkins; Joanne Flynn, a tightrope walker and mime who calls
herself "The Queen of Whimsey"; drummer/guitarist/pianist
Alan Paul Dean Jr.; and Newlin.) "We decided we didn't want
to crowd each other out, so we live in different cities,"
Newlin jokes. "We all rehearse our bits individually, and
then bring them together in as cohesive a way as possible. In
the best tradition of vaudeville, we present one unusual act
after another."
Take, for example; Newlin's "fruit flambayonet":
"It's an invention of mine, the only one of its kind I think.
I knew that a lot of jugglers I juggled flaming things and;sharp
things, so I thought,'Why not do something that is both flaming
and sharp?' So it's essentially a torch with a blade attached
to it, and then I juggle another sharp object while , eating
an apple, and then I throw the apple up and attach it to the
blade while the flames are licking around me."
Aside from his work with the Chesapeake Vaudeville
Revue, Newlin makes his living by appearing in theatrical productions
such as the Folger's zany "Merry Wives of Windsor"
and on the Renaissance fair circuit. With the Queen of Whimsey
and her animal associates--two mules, a donkey and two performing
roosters--he travels for nine months out of the year, residing
in a little pop-up trailer on various festival sites. Newlin
says the transient life style suits him just fine; when things
get to him, he just starts juggling.
"It's kind af like meditation,"
he explains. "You're so concerned with keeping the balls
going that you can't think about your car payment."

Washington Times November 02, 1996
Making a World from nothing
by Raymond M. Lane
Special to the Washington Times.
Kids are sprawling, laughing in an auditorium filled with families
and children. The racing madcap antics of The Nicolo Whimsey
Show is probably something theyve never seen before:
insane juggling, merry music, flute and musical -saw playing
and character acting more outlandish than any Saturday morning
cartoon.
There are a fire-dancing chicken, rope walking and sing alonging.
Flying through the air in tight circles are juggled Indian clubs,
hammers, torches, hats and blobs of play putty the size of Big
Macs.
All of this is seamlessly melded into a flawless, heart-quickening
unity done so fast the 45-minute se leaves parent and child breathless
for more. Its environmental theatre taken about
as far to the edge as it can be for children.
Behind it all is a quiet couple from Brandywine, Md., in southern
Prince Georges County, Nick Newlin and Joanne Flynn. Its
theatre, Mr. Newlin says in a husky, post-performance voice.
Something about it is so pure. It creates a new world out
of nothing and brings color and joy to an otherwise empty place.
We performers do that, creating in an instant, a happy community
that youre responsible for bringing together.
Hmm, Miss Flynn says after a while. The quiet one
with a science degree from Cornell University, on stage plays
Harpo to Mr. Newlins Groucho. Matter-of-factly, she adds
that both feel kind of blessed in certain ways for having
this kind of life.
And so it goes at the couples 8-acre spread in Brandywine
called Oakey Dokey Acres, where they practice about five hours
a day. They have a 300- pound pig named Venus, who when performing
rolls out a red carpet with her nose and delivers a bouquet of
roses to the Queen of Whimsey.
Roderick the fire-dancing chicken is, of course, a rooster. Three
mules named Fritz, Applejack and Agnes, as well as Bingo the
donkey, are featured performers when the duo play at area Renaissance
festivals.
Thats where we met, says Mr. Newlin, who has
a Harvard degree in psychology and is working on his masters
degree in theatre from the University of Maryland. She
was stilt walking, I remember, and, of course, we immediately
fell in love.
They went to Europe for a while as street-performing jugglers.
musicians and clowns. Not that it was all roses,
Mr. Newlin says, Street performing is an interesting occupation
because it brings both the great highs and the lows of theatre.
On one hand, its the most organic form of entertainment
possible, when huge hordes of perfect strangers have a good time
and pay you a lot of money. They again, when its windy
and cold, youre standing on the street corner and people
just walk by staring at you, thats when a Harvard grad
may reconsider his life choices in a different light.
Still, he also directs Shakespeare at the Banneker High School
Summer Shakespeare Festival. She had a bit part in Her
Alibi with Tom Selleck, and both play minor roles in Washington
Square, a film shot in Baltimore with Jennifer Jason-Leigh
and Albert Finney to be released early next year.
Theyve had small parts in operas at the Kennedy Center.
He plays piano and accordion in a wildly eclectic band called
Jamnation at the Layhill Cafe in Wheaton.
As for their future, Mr. Newlin says the goal is to continue
to perform for kids and families, building on the educational
value of this kind of theatre. Were working up a residency
program for the Boys and Girls Clubs of Hagerstown, teaching
them circus skills and juggling.
After all, Mr. Newlin admits, theres no jugglermens
compensation.

FOLGER SHAKESPEARE LIBRARY
Division of Education and Public Programs
20I East Capitol Street, S. E.
Washington, D.C. 20003-I094
TEL: 202/544-7077
FAX: 202/608-I7I9
www.folger.edu
September 1, 2002
To Whom It May Concern:
Mr. Nick Newlin has been a valued contributor to the Folger Library's
educational program for many years, and in many capacities. His
ability to educate, entertain, and inspire students wins our
strongest recommendation.
Mr. Newlin has been a director-in-residence
at Banneker High School in the District of Columbia for the past
six years, preparing students to perform a Shakespeare scene
at the Folger's yearly Student Shakespeare Festivals. This type
of artist-in-the-school residency requires professional experience
in working with and directing students; experience Nick Newlin
has in abundance. It also requires, however, a strong commitment
to helping students, particularly inner-city students, recognize
their own potential as creative artists, a goal that is made
more challenging by language that even many adults find difficult.
Engaging students in the process of understanding, rehearsing,
staging, performing, and enjoying a Shakespeare scene
is something Mr. Newlin does with such mastery that his scenes
are often awarded special recognition by the commentators at
our festivals.
Mr. Newlin has also had a long history (about
20 years) of working at the Folger as an entertainer. The NicoloWhimsey
Show has been featured as part of the Student Shakespeare Festivals
and also as part of other celebrations that the Folger sponsors
yearly, including Shakespeare's Birthday. As a performer, Nick
Newlin entertains with wit and wordplay, stressing the importance
of language and movement to performance and art.
The NicoloWhimsey Show has always had a very
strong message--each show ends with the words, "Remember:
If you shoot for the moon, and miss, you're still among the stars."
Mr. Newlin is now incorporating the theme of teaching tolerance
into the NicoloWhimsey Show-our experience with him as an arts
educator recognizes this as a natural progression for a show
that has always entertained and inspired students, teachers,
and the public.
Nick Newlin is one ofthe best performers I
know to introduce young people to performance in an educationalcontext.
He is an artist, but he is also, first and foremost, an inspirational
teacher, and his work with the Folger has been exemplary. Please
feel free to contact me personally at the Folger via email: jfieldpickering@folger.edu
or by phone: 202-675-0372
if you have any further questions.
Sincerely,
Janet Field-Pickering
Head of Education
Anne Arundel County Public Library
5 Harry S. Truman Parkway
Annapolis, Maryland 21401
410-222-7371
October 1, 1998
To Whom It May Concern:
Nicolo Whimsey presented 24 performances for the 1998 Summer
Reading Program at all 15 branches of the Anne Arundel County
Public Library. The shows were very popular. Our audiences included
babies, preshoolers and elementary school children with their
parents. They gave rave reviews about NicoloWhimsey's special
blend of juggling, poetry, music, and clowning activities. The
shows also combined high use of audience participation that was
both enjoyable and educational. There were lots of laughs throughout
the performances!
We were very pleased that NicoloWhimsey was able to offer high
caliber performances that kept the attention of every age in
our audiences. We are delighted to recommend the NicoloWhimsey
show to other libraries, schoois, and organizations.
Sincerely,
Cathy Butler
Programming Coordinator
Anne Arundel County
Public Library
The John F. Kennedy Center for the Performing
Arts
Washington D.C. 20566-0001
05 April 2001
Nick Newlin has served as a Kennedy Center Residency Artist for
the past two years. Kennedy Center Residency Artists are selected
from a large pool of talented and qualified professional artists
in the Washington Metropolitan area. Following extensive training
in standards of learning, classroom management, curriculum design
and other arts education-related topics residency artists are
placed in classrooms in the D.C. Public Schools. After collaborative
planning sessions with the assigned classroom teacher, the residency
artist designs a curriculum that can last between five and fourteen
weeks.
Mr. Newlin's work as a Kennedy Center Residency Artist
has always been exceptional. He approaches each assignment with
enthusiasm and creativity. His experience using drama and storytelling
to reach children of all ages was evident in his ability to work
with a broad range groups and skill levels. I was most impressed
with his ability to adapt his drama residency content to children
with special needs. Each residency artist is required to plan
and present a culminating event at the conclusion of the residency
period. I was always amazed at Mr. Newlin's ability to bring
even the most shy child to the stage, and have them perform as
a member of an ensemble with confidence and amusing characters.
Always I was met at these events with high praise from the teachers,
administrators and students for Mr. Newlin's work. I was proud
to have him on "the team." And a true team player he
was! His insight into the human psyche always kept workshops
and discussion sessions on a positive and uplifting note. He
is truly an advocate of the child, of the arts and of humanity.
It is my hope that Mr. Newlin will continue to share his gifts
and skills with the children of Washington, D.C. His work fills
a void in their education and their lives.
Tia Powell Harris
Manager of Community Partnerships
Education Department The John F. Kennedy Center
for the Performing Arts.

The Benjamin Banneker Academic High School
800 Euclid Street N.W. Washington D.C. 20001
15 June 1998
To Whom It May Concem:
I would like to recommend Mr. Nick Newlin,
theater director- in-residence of the Folger Shakespeare Library
(Washington, DC), for a position in teaching/directing drama
and theater. For the past several years Mr. Newlin has worked
with English teachers at Benjamin Banneker Academic High School
to prepare our students for the annual Shakespeare Festival at
the Foiger Library. Benjamin Banneker Academic High School is
a magnet school that attracts many of Washington, D.C.'s finest
and brightest public school students.

This year I had the distinct privilege of
working with Mr. Newlin who introduced a freshmen class of twenty-five
students to acting. Mr. Newlin's preparedness for the working
sessions with students was always evident. I was impressed that
he learned every student's name in only one session. He assessed
each individual's strengths and commitment to optimize the contribution
each student-actor could make to our production of Shakespeare's
Merry Wives of Windsor. Mr. Newlin maintained control of the
enthusiastic freshmen. He managed to keep the students focused
and engaged while providing an enjoyable leaming environment.
Mr. Newlin's commitment to excellence in secondary
education enabled my students to be the beneficiaries of his
hard work, brilliance, and knowledge of Shakespeare's texts.
His ability to motivate and direct students in an award winning
production of a Shakespearean play is an extraordinary feat.
He works well with students from diverse economic -and cultural
backgrounds by consistently encouraging each individual to reach
for his or her full potential. Mr. Newlin is a superb communicator
and handles complex and sensitive situations with tact and firmness.
He is constant professional with whom it has been a pleasure
for me to work.
If you have any questions concerning Mr. Newlin,
please contact me at tel.
(202) 673-7322 or (202) 667-0192.
Sincerely yours,
Leo R. Bowman
Teacher of English
D.C. Public Schools
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